The exhibition traces Elisabetta Di Maggio's career, presenting historical works and new productions created specifically for the museum spaces.

Carving, a peculiar character of Di Maggio's artistic practice, is both a means of exploring the material, taking care of it, and a violent gesture, which lacerates and does not allow for the slightest reconsideration.

His works - walls of engraved tissue paper, soaps sculpted like city maps, mosaics of wax and glass, thin porcelain, vegetable elements, mandalas of stamps - challenge the boundary between abstraction and figuration, between natural and artificial.