Some of the themes that run through this evocative journey in the History of Art, from the 16th to the 20th century, guide the audience along a path rich in images, emotions, and connections.

Concert Art is an invitation to engage directly with the artworks, allowing oneself to be immersed in their evocative power. The female figure emerges as an allegory of the natural elements—light, water, earth, and air—in the works of artists such as Monet and Sorolla, as well as in the sensibility of Gonin and Bistolfi.

The theme of love and desire intertwines with that of muses and the many facets of femininity, suspended between ideal tension and passion: from Raphael to the Pre-Raphaelites such as Dante Gabriel Rossetti, to more recent artists like Ottavio Mazzonis and Ezio Gribaudo.

A key section is dedicated to women artists: a journey that restores voice and visibility to figures often forgotten or marginalized by official history. From Orsola Maddalena Caccia to Rosalba Carriera, from Artemisia Gentileschi to Evangelina Alciati, a powerful and essential artistic heritage emerges, telling stories of talent, determination, and expressive freedom.

Guiding this journey are three figures who intertwine knowledge and artistic languages: Barbara Stabielli, art historian and librarian at the University of Torino, brings a rigorous and passionate perspective shaped by years of research and outreach; Diana Dell’Erba, actress, author, and director, transforms words into a living experience, giving voice and body to stories; Giulia Subba, violinist, accompanies the narrative with a musical language that blends tradition and experimentation, creating an immersive soundscape.

A dialogue between the arts that becomes a sensory experience, capable of engaging, moving, and opening new perspectives of listening and vision.