The Italian Renaissance represents one of the highest moments in Western art history, redefining the concepts of beauty and humanity between the 15th and 16th centuries and profoundly influencing European culture.
This heritage is reinterpreted in the present through an unexpected language: Sugar Art. While the Renaissance entrusted stone and durable materials with expressing the eternity of form, today sugar - fragile, ephemeral and mutable - becomes a tool for reflecting on time, memory and transformation.
The exhibition, conceived and directed by Mary R. Cocciolo and co-curated by Nuni Cocciolo, creates a dialogue between monumentality and fragility: the icons of the Italian Renaissance are reinterpreted through sculptures and paintings made entirely of sugar.
Within the exhibition, The Ephemeral Altar of Taste also takes shape: a contemporary table that tells the story of Italia through food. Lasagna, pizza, spaghetti, tiramisu and desserts form a banquet that appears real, yet each element is actually a work made entirely of sugar. This section recalls the Renaissance tradition of banquets adorned with sweet sculptures, now reinterpreted in a contemporary key.
Yet everything on display is destined to transform: like time, sugar is fragile and bound to dissolve. What remains is the memory of the experience.
The works are created by 33 artists from different countries, reflecting the international nature of Sugar Art and its ability to unite cultures, languages and sensibilities.