The creative journey of artist Emanuele Becheri has developed through various expressive media, from music to photography, from video to sculpture, and recently to experiments with terracotta, whose surface is often painted and “dusted” with earthy, opaque and muted pigments.

The sculptures, mainly horses and pairs of figures, “deform” in space in positions ranging from archaic to baroque, placing the viewer in the uncomfortable position of having to question the concept of the sketch, unfinished and incomplete.

The artist, who is both a musician and a performer, remains in the dynamic of the duel between the expressed and the implied, and the tension that can be perceived is poised between the life of the subject and the death of the idea of classical sculpture.