Estate al Forte di Exilles. Pojana e i suoi fratelli

Pojana's brothers are Edo the security man, Tonon the derrotator, Alvise the black, and others. Franco Ford, known as Pojana, was the wealthy patron of an adaptation of The Merry Wives of Windsor set in Veneto, with all its fixations: guns, schei and taxes, blacks.
When Propaganda Live wanted him on its stage, Pojana revealed himself fully for what he is: a demon, small, not lacking in wisdom, who uses the truth for his own ends and finds funny things that are not, and who is inside each one of us.
The character was born out of the need to tell the nation the stories of the north-east that no one knew outside the borders of the newly-born Padania. It is significant and terrible that the Veneto people have become, today, the villains: evaders, racists, obtuse. Suddenly. From good, hard-working, somewhat mona provincials, who, out of misery, migrated to Rome to work as servants or carabinieri (as in the clichés of many black and white films), to greedy landlords, with ignorance acting as a common denominator for stereotypes.
An enigma that is resolved into a tale thanks to Andrea Pennacchi's sensitivity and bitter irony, passing from more or less Goldonian masks to a mirror of an entire society. A promotion practically.
And here he is, Franco Ford known as Pojana, with all his brothers, telling stories with a bit of truth and a bit of falsehood mixed in, to look in the mirror.